Dustin Yellin had a big day on Saturday. “We moved in to the new studio and hosted this party all in one crazy night,” smiled the artist. Of course, Yellin not talking about ANY random studio. Artist’s new space on Pioneer & King in Red Hook might be the biggest, most exciting, new artist space right now in New York…or anywhere for that matter. It’s so huge that it took three co-hosts in Bob Colacello, Vito Schnabel and MGMT’s lead man Andrew VanWyngarden to host the intimate dinner opening for the space and launch of Yellin’s intriguing Intercourse magazine.

But first back to the studio…A former rail repair station might just be the Brooklyn’s answer to the P.S. 1 thanks to it’s size, location, and Yellin’s intended commitment to helping nourish other young talents. The artist also took the opportunity to unveil his epic 24000-pound triptych inspired by Bosch’s Garden of Earthly Delights and guests like Aby Rosen, Sybil Yurman, and Dasha Zhukova, took the massive work in wonder. Even Yellin’s own mom flew in from Hawaii for the unveiling. Others like the entire crew from MGMT enjoyed the meatball and pasta family style buffet, their new surroundings, and of course the Art History Astrology section of Intercourse. And Colacello (pictured) happily discovered his self-portrait amidst all the action.

When we actually decided to take this crazy journey (in the middle of a night on January 11) one thing was clear: we wanted to end our adventures in London. It’s obviously a crucial year for British art, with Damien unsurprisingly leading the elite, royal dog pack on this side of the pond. It also felt right to end the trip in London, because that’s where most of the spots were born.

We weren’t planning to be in at our final destination so soon originally. We wanted to check in the hotel, possibly see National Portrait Gallery, and then hit the remaining Gagosians on Saturday morning. But thanks to unrelenting supporter text messages and more than few e-mails (and a very helpful attendant Sebastian at EuroStar upgrade desk in Paris) we boarded an early train to St. Pancras. Two hours earlier than expected.

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Out of all the cities on our crazy global tour, Paris probably feels most like home to us after New York. We’ve been there countless and countless of times, sampled every macaroon there was to sample, and visited practically every museum at least once. So the four-hour visit on Friday morning made us believe that the finish line and home was that much closer and realistic.

Gagosian on Rue de Ponthieu couldn’t be in a better location. It’s just steps away from the Grand Palais, neighbors with French Christie’s, and we still hold their recent Richard Prince show close to our hearts. A grand Parisian staircase and lots of natural light complement the vast three-floor space. The spots felt very serene here and the second floor mini-library of Damien’s dominance was fun to flip through as well.

We had to time to see other art but a stroll through the Tuileries led us to our second Kusama park installation of the trip (Beverly Hills was the first). We also had nice morning Meurice tea with fashion friends still in town for Paris Fashion Week (Givenchy and Galliano shows were scheduled for Friday night) and a champion’s breakfast at Angelina next door.  Then listening to Kanye and Jay-Z’s Ni**as in Paris we took a cab to Gare du Nord…one step closer to the English finish line!

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It’s a fortuitous thing that the Spot Challenge is taking place in January. Because during the warmer days, cities like Rome, Athens, and Paris are swarmed with tourists eager to eat crepes and buy magnets. Rome in January is actually a magnificent city. The air is crisp, the skies are blue, and streets are more manageable without all the overbearing group tours.

The Italian location for Gagosian (just few blocks away from Fontana di Trevi) is actually our favorite of Larry’s properties so far architecturally. It’s a gorgeous, curved room that happened to host the smallest spot on display in the world…the 1 x 1/2 inch, yellow wonder from 1996 (pictured). It’s very tiny and very refreshing after this week’s big spot overdrive.

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It took us 16 hours, and practically 3 continents to get to Athens with a stopover at Doha along the way. The Qatar capital will soon host a huge Murakami exhibit, but for now, all we had to play with was the terminal, that reminded us of the Middle Eastern version of LaGuardia. Though it has to be said: those elite traveler shuttle buses are mighty impressive.

But back to Athens… It’s a strange time for a Greek capital with widespread talks of defaults and national bankruptcy. Yes, the folks might be scared but they still have the Parthenon and Acropolis here, and now their very own Gagosian to boot. The Greek outpost is located on the magically named Merlin Street and it’s very intimate to say the least. There are only 6 Hirst works on display, and yet like in every other Gagosian location, a focused guard is fiercely watching over the pieces in every room (seriously, what was the security budget for this thing?).  The gallery attendants also get gold stars for being the friendliest so far on our journey.

Merlin Street is also filled with orange trees that can be found on every decent street corner (instant Hong Kong déjà vu!) and the art scene is showing promises. The Greek Gagosian girls kindly recommended us few shows: Jonathan Meese effort at Eliades, 20th century Russian painters show at a beautiful B & M Theocharakis Foundation (pictured), and a strong group effort at Rebecca M. Camnhi gallery (that featured works by Ross Bleckner and Nan Goldin among others).

And then of course our hotel concierge named Alexandro recommended a wonderful soulvaki place on Byron, which might be the greatest piece of art of them all.

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Hong Kong is perhaps the most exotic stop on our journey, and yet this A.I like city is not as intimidating as it seems. You see, thanks to the most awesome elevated escalator pedestrian city on Earth, we managed to do everything on our priority list in less than 45 minutes this morning. That included a super bullet train from the airport that connected to Mandarin Oriental that in turn connected to Gagosian that’s also connected to every luxury mall imaginable including Lane Crawford. Then, we decided to do much more.

But first back to Gagosian…Since White Cube isn’t opening until later this year (Jay Jopling is a wise man, 2012 is a year of the Water Dragon, which basically translates to a lot of cash!), Gagosian is still primarily the only big player in town aside from the Art Fair rush every May. The quiet, 7th floor Pedder Street location (across Vuitton’s biggest store on the planet) has been in business for less than a year and things look promising in Hong Kong (it won’t officially play by China’s rules until 2047!). Our favorite piece during the Asian leg of the tour was the square “Controlled Substance Key Painting” (1993-1994) complete with lovely typography and numerology. Though after New York’s spectacular, the shows are visibly smaller.

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